on slowly losing my grip

in hindsight our petty troubles
always appear overblown

(i’m hanging on)

and with a little perspective
we can smile and make jokes
of our foolish anxieties

(with sweaty hands)

responsibility rides a bicycle

a man glides down the street
on a bicycle
holding a short leash

a golden retriever just barely
keeps pace with a big grin

in my head i take a snapshot
and label it happiness

with a slight frown
i walk to work.

fall from grace

In 2011, Future Islands came out with an album, On The Water, that hit me like a crashing wave.  It was deep and warm and wise, a broken man talking others through heartbreak, over time, emerging safe and whole again on the other side.  Then last year, playing scrabble in Tanzania with their new album spinning, I looked up, distracted, “is the guy from Future Islands… screaming?”  He was.  It felt a bit like David Foster Wallace taking his own life, after all his attempts to counsel us from his pain through our own, to show us the beauty, all the reasons why it’s worth it.  He wanted to help us survive, and in the end it ate him up just the same.  The guy from Future Islands is screaming.  It is dark, and sad, and beautiful.

“Please pardon my reflection
in the mirror at your feet
before you go, please tell me
was it all inside of me?”

this beard is for siobhan

While Smokey Rolls Down Thunder Canyon may be his opus, my favorite Devendra Banhart jam has always been this early little ditty off Rejoicing in the Hands.  There’s something touchingly old-timey to it that tickles me just right.  If you were wondering, it’s pronounced “shuh-vawn.”  Irish.  Go figure.

zebra

Beach House, a band close to my heart.  Their three excellent albums all came out during my time in Taipei, lending my secret life of subway rides and taxi journeys an ever evolving dream-haze quality.  They’ve remained a dependable companion in nostalgia ever since.  Emotional, calming, rocking, soothing, sublime.  I am very, very fond of them.

Drink

“What are you?” She asks again.

I pull on my cigarette, exhaling smoke in a low, expanding cloud.  Christ, what a question.  I’m the latest success story in a long line of champion-caliber sperm.  An improbable moralizing animal on the crust of a flying rock.  A single speck of matter in an empty and expanding universe.  I’m being shitty and I know it.  She looks perplexed by my silence.

“You know, like, what do you do?” She asks, rephrasing the question.  She seems genuinely curious.  She hasn’t touched her martini.

“I drink,” I say.  Her eyes widen slightly, surprise or anger I can’t tell.  “What are you?” I ask.

“I’m regional sales manager for—“ I cut her off with a wave.

“Drink,” I say.

for you, with the changing of leaves

i was fine before you
i wasn’t but didn’t know
i wasn’t, you know? i knew
life was a winter then you
dropped a spring in my lap
and like that it just melted
away laid bare all the hidden
love to a love and green grass
grew here and a tree, a tree!
yes, i was fine before you
i wasn’t but didn’t know
i wasn’t my winter was free
of the dream of your spring
and a tree of my own.

colors and the kids

“By the time she would weave onstage, beer in one hand, cigarette in the other, Ms. Marshall, 34, was wasted. And it showed. It would seem that every fan has a Cat Power concert story: the time she mooned the audience, cursed out techies, talked to a squirrel (outdoors), played three chords and changed her mind (song after song) or played fragments of a few songs and then told everyone to get out, even encouraging fans to sue her.”
-New York Times review, Cat Power

“It is foolhardy to describe a Cat Power event as a concert,” citing “rambling confessions” and “[talking] to a friend’s baby from the stage.”
-New Yorker review, Cat Power

And there, from the ruins of herself, she made this.

Valerie June

Been wondering for a long time how to showcase Valerie June.  Unable to choose just one song, I finally found her here, doing 25 minutes of pure, unadulterated joy. Her hair, her voice, her heart, her fingers flying on those strings– I can’t look away.  Stick around until the eight minute mark and you will be rewarded with what would have been my choice.  Valerie is a voice from the ether, a specter of old blues singers long dead.  She doesn’t know it yet, but I’ve sworn off all other women and devoted my life to her.  Half joking.  May you enjoy her as much as I do.

tacobel canon

Chilling, fucking, sleeping, reading, raging, writing, driving — a day without Ratatat is a day I’ve done wrong.  Wait for the bass to come backwards.

B-Side: Breaking Away

My Dear Friend, Take Heart

I recall an autumn morning in a small town where the leaves were changing.  The weather was growing colder, but winter had not yet arrived, and the world had a brisk crispness to it.  I sat outside in the cold sun and drank a cup of coffee.  You were there with me and had a cup of your own.  We sat together and sipped our steaming drinks.  It was nice, I still remember it.

You will tell me, of course, that I remember this wrong, and perhaps that’s so.  But I prefer my version to yours, so that’s how I’ll choose to keep it.  Memories, after a point, become choice.  This is one of the beautiful things in life.  We are sparks, mere flashes on the scales on which we exist, scales so vast and so tiny we cannot comprehend them.  Yet in that flash, we are everything.  For that speck of time, our lives become existence and we ourselves something fantastic.

On that autumn morning I described to you a huge, placid lake.  I said then that for the vast majority of existence we are simply the atoms composing the water of this lake.  And in that, as a part of this magnificent whole, we are beautiful, though we lack the capacity to realize it.  Then something happens.  For some unknown reason, by some phantom hand, we are pushed upwards.  And as we rise, we coalesce, we take shape.  As we near the surface, a face appears, eyes open.

Then suddenly we break the plane, burst forth and open our mouths.  We gasp, one giant frightful gasp of air, and our wide eyes are granted sight.  We see the lake beneath us, we see the sky above us, we see life around us.  Finally, we look down and see ourselves, separated somehow from the universe.  And it is beautiful, beautiful, beautiful.  But things change.

We begin to thrash about, claw at the water, try to propel ourselves beyond the surface of the lake.  We lean on other gasping faces, shove them back down, attempt to fly.  But water cannot fly.  The momentum from our push thrusts us out, our heads, however briefly, crest above the surface.  Then the arc continues, our momentum fails, and we slip back down.  We return to how it always was, how it always will be.  When we return to the water we lack even the capacity to lament what we’ve lost.  There is comfort in this.  We go home.

And we sat and drank our coffee, on that cold autumn morning, and we spoke of this.  And on that day we first heard the news, of the rise of the end, though you of course will dispute the timing of the announcement.  But I prefer to remember it this way.  We finished our coffee and our talk, then we heard.  Memory, after a point, becomes choice, and I shall exercise mine with a smile, for as long as I am able.  So goodbye my friend.  I regret nothing and neither should you, for we have been luckier than we could possibly have hoped for.  Luckier than the moon, the sun, and the stars.  Please, don’t be sad.  Though we won’t know it, we will soon be home.

if the world ends again

If the world ends again
on us i hope it’s raining
on the soundless ripples
of a mountain stream.

I hope the water flows
down the weathered slope
to a village time forgot
where ancient wrinkled hands
that woke in pre-dawn darkness
will rub our backs and sing to us
in long-forgotten languages
(we’ll drift apart in lullabies
lost in socks and sheets).

If the world ends again
on us i won’t go riding
off to war i’ve had my fill
of flame and salted earth.

This time the air-raid sirens
will hold their breath
with me and hope
it’s just the sound
of rain it’s just some
huge and lonely thing
crying giant tears
on the soundless ripples
of a mountain stream.

le loup (fear not)

Truly an unusual band, Le Loup never really got the recognition I thought they deserved, and now they are defunct.  Over the years I’ve had a wide range of reactions to playing them for people, a surprising number frankly nonplussed.  Well, I am and have always been plussed.  The Throne of the Third Heaven of the Nations’ General Millennium Assembly is a little masterpiece of weird, foot-stomping wonder.  Give it a spin, maybe you’ll be plussed too.

healthy, growing boy

When he was still little and proud
of his new stature his parents
kept paper dixie cups with floral
patterns hanging in a plastic
holder above the sink.

One day their parents were out
and the boys had a girl
babysitter watching them play
outside and when they came in
to get water his brother still
tiny asked her in mumbles
and motions for a floral paper
cup and she said, “No. They aren’t
good for the environment.”

In hindsight she was probably
right but when she turned
there he was drinking
from a flowering cup
and he felt her looking at him
in that uncomfortable silence
for them both and he knew
then in his little heart
something was coming.

oblivion

Those dark synths and this adolescent girl fever dream of masculinity and violence of a video get me in the gut every time.  Ominous, unsettling, good.  Grimes.  Weird little MDMA-head with a lisp.  I sort of love her.

“See you on a dark night…”

reaching and reaching and falling

this one is for the lovely
ones up all nights killing
themselves with the worry
what’s left with how many
more are left before it sets
in before some doctor
says the words what’s left
for the ones who can’t sleep
without that last little bit
for the morning for the ones
who can’t stop the ones
who are trying to grab it
the ones who once cared
enough to wonder and dream
still alive somehow breathing
within it and despite it
this one’s for the lovely
that the lovely ones die
for and you maybe you
over there if you’re there
and you’re listening.

hellhole ratrace

“I’ve got a sad song in my sweetheart…”

The story goes that Christopher Owens was born into a fundamentalist cult in Texas called the “Children of God,” where he wasn’t allowed outside music.  As a teenager he took off and became a street kid, discovering punk and hardcore music for the first time, eventually becoming a ward of Stanley Marsh 3– a man implicated in a number of lawsuits for sexually assaulting underage boys.  Later Owens began busking, moved to San Fransisco, got heavy into heroin, and met Chet “JR” White.  They started a band.  That band was Girls.

like a big beautiful rainbow

the gifted child screams
in rage and sadness and frustration
at all the people there to help

the lothario with a limp dick
sits back on the pillows lights
a cigarette and watches the smoke

the artist cuts his meat in silence
at an upper east side dinner
table full of suits and money

and tomorrow we will all begin
again to fail in different ways
all the broken roads of life
fanning out in arching rays
spreading colors through the sky.

the staunton lick

Open the windows, beat the rugs, air your heart out.  Winter is melting away, swelling all the little waterfalls.  Life will bloom again.

of love and the UK border control

there is a voice that winds
the tightness in my chest,
that whispers over all
the reassuring smiles, all
the sympathetic offers of,
“you two will find a way.”

there is a voice that whispers
louder than the gust
a passing locomotive leaves
at the platform louder
than the distant rumble
of turbines on the tarmac,

it whispers cruelly winding
the tightness in my chest
to a point of pain

and of the silence seated
on that leaving train,

and of the shaking quiet
in that moving plane

it whispers,
“it won’t be okay.”

mosquito-dreams of blood in tanzania

i had a dream from which i woke
bitten badly foot and ankles agony
this dream i bare of chest and foot
and dark of sun and dirt had reached
a place i thought of reconciliation
understanding all and here my friend
with me filthy garbed was throwing
coins up in an alley in a slum
upon the empty balconies of the poor
who struggled here for why he asked
in silence did he have so much
and they so little i as well appealing
reaching in my pockets found some bills
some small and one one hundred
saw a man half-blind with lesions
leaning on a cane went up to follow
his example giving up my bill at last
i faltered there and couldn’t choose
between the bills but the hundred
had already been seen and avarice
lit his leprous face and so it spread
from eye to eye infectious in the street
and all now gazed upon my hand and skin
gone milky white again they saw and so
i gave it up of course but void of joy
did i then learn a coin is something else
and as he leant to press a leprous kiss
upon my brow i in lonely falseness
stripped of personhood reduced
back to bitter turned my cheek away.

the path above the stars

(ask the elders do the math
none return along the path)

land laid fallow moving on
to the brink and then beyond

pack your bags desert the base
set a hard line ‘cross your face

pass the oceans skip the earth
leave the land that lent you birth

walk the path above the stars
slip yourself between the bars

maybe there for all your talk
you’ll lose the track of what you stalk

and drift in darkness lost for good
reaping what you sowed and should

or maybe in that distant place
you’ll chance upon a lonely grace

and come triumphant from those lands
with something cupped between your hands.

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