can’t find my way home

“…and that’s what Arturo Belano was like: a stupid, conceited peacock.  And visceral realism was his exhausting dance of love for me.  The thing was, I didn’t love him anymore.  You can woo a girl with a poem, but you can’t hold on to her with a poem.  Not even with a poetry movement.”

-Laura Jáuregui, The Savage Detectives

“…and the man goes walking, I go walking, through the forest and I run into five hundred thousand Galicians who are walking and crying.  And then I stop (a kindly giant, an interested giant for the last time) and I ask them why they’re crying.  And one of the Galicians stops and says: because we’re all alone and we’re lost.”

-Xosé Lendoiro, The Savage Detectives

Fade in, Fade out

We fade in reading books.  My parents were former hippies who had gone legit: a Jewish father who had just opened a small-town matrimonial law practice, and an Irish-Catholic mother who taught Math and Earth Science at an alternative education high school.  By the time I hit my mid-20s she had moved on to district administration, his practice had exploded, and they were making a very good living with money to spare.  But as a child, in that house out in the country, we lived mortgage payment to mortgage payment.  It was a comfortably middle-class American upbringing — a fundamentally happy childhood.  I was kind, the people around me were kind, and life consisted only of playing outside, video games, sports, school, and books.  Mostly I fade out reading books.

Christmases we spent with the Clarks, my mother’s parents in Parsippany, New Jersey.  If we were maybe middle to upper-middle class, they were very clearly middle to lower-middle.  My grandfather at this point was a full-blown alcoholic, glued to his recliner in the living room, while my grandmother, Alice, was, I dunno, some sort of saint.  This was the Catholic side, and though my mother is basically an atheist, the holidays were important to Grandma, so we always went down there in December when school was out.  First Hannukah in Ithaca, then Christmas in New Jersey.  I was the envy of all my single-religion friends.

Alice Clark, as I said, was some sort of saint.  She had lived through both World War II and a life-long marriage to a hyper-intelligent, underachieving alcoholic.  Tom Clark had been an aerial photographer, scouting forward positions on the western front, then turned so hard to bitter when he came home that it was impossible to see what had once made him happy.  My clearest memory of him is bare-foot, hippie-child Joshua trying to give him a hug, and him pushing me back and extending a hand.  Men shake.

Alice though, must have spent half her tiny pension on junk for me and my brother.  All the useless plastic crap that my parents refused to buy us somehow ended up under that Christmas tree:  A plastic bow and arrows with suction cups, which – so unlike the cartoons – fell only a few limp inches when fired; an elaborate black Lego castle that must have cost 100 bucks, and which my parents had dubbed ‘The Castle That Cost Too Much;’ that sort of thing.  She spoiled us rotten and loved us to pieces.  They lived in what was basically a one-story trailer, built up on a foundation, and chain-smoked incessantly when we weren’t around.  It wasn’t until years later that I identified the smell in that place.  I loved it there.

What I really loved, of course, was fading in on Christmas morning.  Every year, me and Alice, we played a game:  it was a race to see who could get up first.  Every year I woke up in my tiny Mighty Mouse pajamas, in the blue-black morning, thinking this would be the year.  And every year I raced out into the living room and there she was, sitting calmly at the table, drinking her coffee with a quiet smile.  Not a smug smile, just a sort of, maybe next year kiddo, don’t give up smile.  Then we fade out waiting together, shaking presents, eating sugary crumb-buns from the local bakery, until around ten or eleven when my uncle finally came out of his room in their house, bleary-eyed and hung-over, and Christmas day could begin.

Then I fade in on the Christmas morning when things changed.  As always, I hopped out of bed in my pajamas, the whole family still asleep, and went racing out into the living room.  There, for the first time, all the lights were off; pre-dawn darkness ruled with equal indifference outside and in.  I learned something then in that dark room about getting what you want.  Unsure of what to do, I sat down in her seat at the table and crossed my legs like a grown-up.  What I know now is that Alice was still in bed because she had a malignant tumor growing inside of her.  She refused to admit it, never went to a doctor, and by next Christmas she was dead.

That same year both our golden retriever and our german shepherd had to be put down, and Grandpa checked out almost 6 months to the day after Grandma shocked us all and disappeared forever.  I fade back in later that year walking into my mom’s room and finding her crying.  She told me our cat was missing.  I said, well heck, let’s get some fliers together, go paper the neighborhood, get off our butts and go find Tigger!  She said oh, dear, no.

I sat down next to her, she put her arm around me, and she explained that Tigger wasn’t really missing.  She was old.  Cats sometimes have a way of going off alone to lie down with dignity.  I think we both cried, or maybe just she did.  The last time I know I cried, for sure, was at Alice Clark’s funeral.  I must’ve been 10 years old.  The next year I started having panic attacks during health class and passing out in the coat room.

There’s so much to feel, and taste, and smell, and do, all at once, it’s overwhelming.  Life is difficult for everyone, everywhere, and existence on this planet can get way, way worse than death.  But right now it’s here, just here, and in this moment it’s all sort of okay.  You’re here, I’m here; just stop for a minute and be here with me.  Notice all the little sounds hiding in this silence.  There’s so god damn much to experience before the darkness comes back for us.  Taste every flavor of ice cream, feel every emotion, laugh at the sheer absurd unlikelihood of any of this.  Laugh just to hear the sound.  Then let it go.  You gotta let it go.  Fade in, fade out.

Next Time Let’s All be Landscape Architects or Something

Being a poet has nothing to do
with writing poetry. To be a poet
you just write poems, any poems
and there you go. All that’s left
is finding your adjective: Trite
or amateurish or pathetic or sad
successful or forgotten or unknown
or vain or desperate or the best
poets know this is subjective
and irrelevant but also too that
there is something objective here.
First you must write, that’s true.
Second you must fail (in public
repeatedly, I know, I’m sorry).
Third you must quit and live again
with new eyes. Now I wonder
if she still gets out of the shower
without drying off and leaves a trail
of wet footprints — Who can follow
such vanishing points? All I know
is being a poet has nothing

mexico-091

to do with writing poetry.

the dancing of the lumps

In all the wends and winding ways
(the castles of our pride)
we used to bend and bind the days
the past we sent won’t stay away
__and coming home it sighed.

When we the lumps who want & dwell
(within the sad inside)
upon the stumps of trunks that fell
dance and sing again we tell
__the fire that we lied.

Because at last we had to look
(when hope at last had died)
into our glass with hands that shook
(with eyes that hadn’t cried)
we saw the love she came and took
__and somehow
we survived.

sometimes i get so tired of staying home

so i went and stood out
there under a streetlight
by the graveyard wearing
my blue shirt and khakis
as i said i would

he pulled up and idled
i got in and we drove
aimlessly for a while
talking to be honest
i was having a hard time
making eye contact

eventually he parked
in collegetown and said,
“alright, now i’m going
to walk you just walk
behind me.”

and so we walked
like that weirdly
far apart and silent

it was collegetown at night
so we passed a lot of people
and he stopped a few times
and just stood there all crazy
waiting for them to pass

then again at his house
he froze all fucking crazy
as a housemate appeared
at the front door he ran
instead around back
motioning me to follow
to a door to the basement

and it was a fine offer
but i dunno it just
didn’t feel right

so i said, “psst, hey!
psst, hey! i’m going
to keep walking.”

and i kept walking
past his house
down the hill
and home

all in all somehow
it was a pretty good night.

handsome molly

“Come morning I found the day
as I have found every other day:
without relief or explanation.”

-Mark Danielwski, House of Leaves

a Doc Watson song

clay pigeons

“I could build me a castle of memories
just to have somewhere to go”

8ae3d42016fa3c5b388a9692158b0339

“sing a song with a friend
change the shape that I’m in
and get back in the game
start playin’ again”

“smokin’ cigarettes in the last seat
try to hide my sorrow from the people I meet
and get along with it all”

“feed the pigeons some clay
turn the night into day
and start talkin’ again
when I know what to say”

Blaze Foley.
This fuckin’ guy.

rake

“This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed–run over, maimed, destroyed–but they continued to play anyhow.

We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it.

It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful.

If there was any “sin,” it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great.  I loved them all.  Let them all play again, in some other way, and let them be happy.

-Philip K. Dick, A Scanner Darkly

in the pines

Would’st thou shape a noble life?
Then cast no backward glances
towards the past, and though
somewhat be lost and gone, yet
do thou act as one newborn.”

-Goethe

a Leadbelly joint

princess and the pea

“Upward, but not
northward.”

-Edwin Abbot, Flatland

something’s not right
princess and the pea
it keeps me up nights
something’s bothering me

please turn off the lights
please close your eyes
find me with your hands
we’ll climb the night sky

i don’t care if it’s real
’cause i got to love you
but sometimes it feels
nothing human is true

something’s not right
it’s not what it seems
this life in the light
is too pretty to be

 the weight of each day
waking up to the dread
all my awful mistakes
i’m alone in my head

in this beautiful world
i only want to be kind
you can lean on me girl
i’m not losing my mind

but something’s not right
princess and the pea
it keeps me up nights
something’s staring at me

please turn off the lights
please close your eyes
find me with your hands
we’ll climb the night sky.

stress

“Oh, bliss, bliss and heaven. I lay all nagoy to the ceiling, my gulliver on my rookers on the pillow, glazzies closed, rot open in bliss, slooshying the sluice of lovely sounds. Oh, it was gorgeousness and gorgeosity made flesh…”

https://www.youtube.com/watch?v=vs0Kq3M4idA?rel=0

“…The Durango ’95 purred away a real horrowshow – a nice, warm vibraty feeling all through your guttiwuts. And soon it was trees and dark, my brothers, with real country dark.”

-Anthony Burgess, A Clockwork Orange

“C’est l’histoire d’un homme qui tombe d’un immeuble de cinquante étages. Le mec, au fur et à mesure de sa chute se répète sans cesse pour se rassurer:

‘Jusqu’ici tout va bien, jusqu’ici tout va bien, jusqu’ici tout va bien.'”

https://www.youtube.com/watch?v=QWaWsgBbFsA?rel=0

“Hear the one about the guy who fell off a five-story building?  On his way down, he kept repeating to reassure himself:

‘So far so good, so far so good, so far so good.'”

-Mathieu Kassovitz, La Haine

i had been happy, and i was happy still

Comme si cette grande colère m’avait purgé du mal, vidé d’espoir, devant cette nuit chargée de signes et d’étoiles, je m’ouvrais pour la première fois à la tendre indifférence du monde. De l’éprouver si pareil à moi, si fraternel enfin, j’ai senti que j’avais été heureux, et que je l’étais encore.   Pour que tout soit consommé, pour que je me sente moins seul, il me restait à souhaiter qu’il y ait beaucoup de spectateurs le jour de mon exécution et qu’ils m’accueillent avec des cris de haine.

“As if this great anger had washed me clean, emptied me of hope, before that night sky full of signs and stars, I opened myself for the first time to the tender indifference of the world.  To feel it so like myself, finally, so brotherly, I felt that I had been happy, and that I was happy still. For everything to be consumed, for me to feel less alone, all that remained to wish was that there would be many spectators on the day of my execution and that they would greet me with cries of hatred.”

-Albert Camus, L’Étranger

a Dave Van Ronk song

queen black acid

“You’re 5’5”, not a hundred pounds;
I’m scared to death
of every single ounce–

And worst of all is when it’s calm,
‘cuz I know the sea
won’t be calm for long” 

“I made myself a sitting duck…”

fireworks

Now, in a neatly eclectic musical pirouette, we spin from finger-pickin’ blues gospel into the electronic rhythms and screaming harmonics of Animal Collective.  Long a fringe act with an alienating-at-first edge to their excellence, it was right around here that Animal Collective hit on the balanced formula that led to mass appeal and mega-success.

Though global notoriety wouldn’t come until the next album, you can already hear the maturation of their sound in Feels and Strawberry Jam.  Both albums are excellent and important, I really can’t recommend then enough, and this song in particular always felt to me like the polished culmination of something they’d been building towards for a long time.

As much as I love them though, I can’t help but add that Fireworks is a great example of how first-draft writing won’t kill a song — far from it — and what an unfortunate disincentive that can be.  While there are a lot of good lines, really, a lot, there are at least an equal amount that are just… bad.  Bad like bad poetry bad.  Honestly, they could’ve titled the song pretty much anything and it would’ve remained fundamentally unchanged.

And really, that’s not the end of the world.  I still love the work, I chose it for the bindle, and I’m sitting here listening and enjoying it all over again as I write about it.  But it is wasted opportunity, and it’s not an isolated incident — if anything, it’s the rule.  For so many songs, after the last note fades, the lingering, frustrating question remains: if it’s already this good…

What could it have been?

“I can’t lift you up, my mind is tired…”

i’ll fly away

“I eventually came to the conclusion you should never say anything in poetry that you would not say in prose.  Poetry has the same obligation to make sense as any other statement made by the human mouth. […] As for songwriting, if something has a pretty enough melody or a strong enough sense of arrangement, people will listen to it even if the lyrics make no sense — but that does not make it a well-written song. […] When songs get pretentious, overflowery and obscure, that person is proclaiming he or she is an artist. […] I think it was a good thing that, back in the Renaissance, people like Michelangelo were treated like interior decorators.  A well-written song is a craft item.  Take care of the craft and the art will take care of itself.”

-Dave Van Ronk, The Mayor of Macdougal Street

The Reverend Gary Davis was one hell of an interior decorator.

 

smoke rings

Almost a year ago today, by some yoga-teacher-training miracle, I gave up nicotine.  Since then I’d bummed a smoke now and again when out and about, but my brain had firmly reversed course, closing down the synapses that had fired relentlessly for “pack-a-day-smoker” these past 8 years, and re-opening the cracked and broken avenues of childhood, the decrepit synaptic pathways of “non-smoker.”

It all began with a girl, of course, and a desire to share something with her.  In time the girl faded, but cigarettes?  Yeah, me and my monkey, we got along famously — if it were just a dirty habit we’d still be together.  Make no mistake, I won’t lie to you: I loved smoking.

I had no tattoos and no piercings; as Tom Waits once said, cigarettes were my “artist’s jewelry,” part of my identity, the self-destructive mask of how I saw myself as a poet.  More than that though, way, way beyond aesthetics or emulating old heroes, cigarettes became my teddy bear, an escape from crowded rooms, an ever-reliable steam-release valve for any and all anxiety.  Finding a quiet place to sit and smoke was my faithful friend through all the times that I was lonely.

And then I was home alone in my rooftop shack in Taipei, having trouble breathing, probably from smoking my way through another chest cold.  In time that fear grew into a blossoming panic attack about emphysema and lung cancer and dying in a hospital bed with only my own idiot choices to blame.  I don’t know how to describe this kind of anxiety, except that it’s physical, and unbearable, and it demands more than anything an outlet.  The way I dealt with that unbearable anxiety, of course, was to go outside and smoke a cigarette.  I knew as I was doing it: this was fucked.  I was fucked.

So some 3 years later — it took 3 more years — the stars aligned and I found myself truly ready.  I moved into vaporizing, wrapping my own coils, twisting my own wicks, then another year tapering the nicotine down, then finally, on the first day of yoga school, I quit the beast altogether.  The last exhale was, for this humble addict, something of a miracle.

For the next year I was free.  It was cool, I could bum one now and again when I was out, no big deal, no tailspin, nothing.  My machinery was re-wired, I went running, sat through the credits of movies, regained my sense of smell, it was good.  Then last month, cold turkey off meds and returning to the world, I had a suddenly powerful urge to smoke a cigarette.

With no-one around to bum from, I drove to the store and bought a pack and smoked one.  I’d been on a successful kick of don’t make a thing of the occasional square, and it won’t become a thing.  But something felt immediately different this time, maybe it was having 19 more of them there in that familiar little box, maybe my stars had fallen out of alignment, I don’t know.  Wrestling with myself the whole way home, I eventually threw it out the window as I passed a bar.

The next day, as I was moving into my new place, I bought another pack.  It just happened.  With a pack in the pocket it was like the last year had never existed, my brain tore the police tape right off the “smoker,” synapses and lo, they had been impeccably maintained: first thing in the morning, again with coffee, after every meal, last thing before bed, every hour on the hour and not even physically addicted yet.

There was more to this than just a re-lapse, (smoking starts as symptom, not cause) but I told myself I would finish this pack and that would be that.  The sooner I went back to the mental state of “non-smoker” the easier it would be to believe.  The new housemates had no idea that me sitting outside in the morning, shirtless, smoking cigarettes, was me in crisis.  They thought that was just me.  And I suppose, to some extent, it was.  I smoked that pack down in two days flat and that was that.

There is an intersection on the way to my apartment, where you turn right to go home, but if you go straight you’ll come to a 24-hour gas station.  The next evening I found myself sitting in the car at this empty country intersection, engine idle, light green, listening very carefully to the sound of the turn signal:

Tik-tik, damnation said.

Tik-tik, I said to damnation.

Tik-tik.  Tik-tik.  Tik-tik.

race for the prize

Famous primarily for Yoshimi Battles The Pink Robots (an admittedly awesome studio offering), The Flaming Lips are really revered in smaller, music-geek circles for what they do live.

The closest thing I’ve heard it compared to is the visual performance art of David Byrne and The Talking Heads, particularly in Jonathan Demme’s concert-movie Stop Making Sense (in which Byrne dons the fat suit).  The Talking Heads, though, maintained a comparative distance from their audience — their art was a presentation.  With The Flaming Lips it’s inclusive, the show is their gift to the audience, like they’re trying to give everyone a brilliant, exploding, colorful hug.

Here’s an offering off my favorite of their records, a loose (very loose) concept album called The Soft Bulletin.  I’ve encountered a number of people lately who don’t know this band.  That’s unacceptable.  Know this band.

“…They’re just humans
with wives and children…”

Studio:

Shaky, low-quality, in-the-audience Live:

[ed: My housemate, a fan, saw them live and was disappointed.  Then again, Benji Hughes Went With Some Friends to See The Flaming Lips. Anyways, YMMV.]

droplet on a hot stone

The human brain takes in everything.  Everything.  If you spin around in a circle just looking and listening, your brain logs every bit of sight and sound; every single detail your eyes glaze over is absorbed with a computer’s meticulous accuracy.  We’re super good at processing this information, these sights and scents and sounds and sensations, and deciding on the 1% that is pertinent while pushing all the rest to the back of our brains.  It’s what allows us to function.  Our brains are cream-of-the-evolutionary-crop super-processors.

We don’t know much about sleep, except that without it we go — literally — insane.  The theory I’ve heard that makes the most intuitive sense is that when we dream, the unconscious brain processes all that raw information, the ceaseless, endless litany of sensory stimulation we spend our waking hours accumulating, then like a secretary in an office, it separates and categorizes all that input, filing what it needs in long term memory, clearing the cache of short term, and junking the rest.

We’re the evolutionary products of people who managed to trick themselves into believing this world fits into understandable categories; the children of the ones who got good at parsing this chaos into manageable chunks, pretending there was order and sanity and logic to any of it.  Pretending that the reality of our existence is somehow a comprehensible thing.  It isn’t.

We’re a pack of talking monkeys who leap-frogged our evolutionary capacity via language and technology to a point where we’re now sitting at our control panels pushing buttons, twisting knobs, pulling levers on things we only half understand.  Evolution will catch up, eventually, but right now?  If we were shown the hyper-dimensional reality of the universe, merely the actual parameters of the physical space we occupy, our silly heads would pop.  There are some things (cough, infinity) that we simply don’t have the capacity to understand.

If some god-creature came down to Earth and said, “Hey monkey, wanna know what’s really going on?  What all this really is?”

We would say, “Yeah, of course!”  Then just before the fatal hemorrhaging began and we dropped like a wet sponge, our last few sentences would go something like,

“Time isn’t linear?  What does that say about free will?  How many dimensions are there, anyways?  Why are my eyes bleeding?  What’s an exponential infinity?”

Our life is vastly more absurd than we allow ourselves to understand, and that’s no accident.  The childless aunts and uncles on our ancestral tree who couldn’t ignore the base insanity of existence went crazy.  CrrRraAAzY.  Crazy.  You’re here today because your ancestors caught the gene for classification, for putting things in boxes, for dealing with the 1% of pertinent information that mattered for survival and letting the subconscious sort the rest.  Taking in all that stimulus at once is impossible, and if you try to fight the current and struggle upstream to the source?  Well, we’re bred for putting our heads in the sand.  Trust your evolution.  Stick it down there deep.

The universe is infinitely large and infinitely tiny.  I’d wager it’s safe to say we’re almost certainly part of something bigger, some ridiculous thing which you and I will never know and lack the capacity to even understand.  Any god-creature I conceive of is just a creature that exists in the universe in relation to us the way we exist in relation to ants.  An order of magnitude more complicated, with the power of life and death, but still basically middle management.

Oh, those poor ants, who think we speak ant, who think we hear prayers.

No, ultimately, you and me?  We’re just a couple of ignorant droplets, soaring through space for the tiniest sliver of time, destined soon to smash on a hot stone.  Safe money says a bit of steam, and that’s the end.  What larger source dripped us?  Who put the stone there?  Why are we falling at a constant 9.8m/s^2?  Don’t be sad, friend, that we’ll never know — be glad instead that we got to be so beautiful.

“From the earth I rose… 

…in the earth I’ll decompose.”

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